Thursday, January 14, 2010

Some Landscapes

This first landscape is nearly monochromatic. I'm trying to develop a looser style, or any style at all really. I think switching to traditional brushes with help me in that. It also might help when I start experimenting with actual watercolors in a tube rather than watercolor pencils. My sister gave me a couple of m. grahams watercolors for christmas, and I have an old reeves student set.

Speaking of traditional brushes, this watercolor I started using a traditional 1/2" flat in the endstages, for the wash of the sky and a few details. Mostly however, I used my waterbrush.


This second painting was done purely with traditional brushes. Actually, it was all done with my 1/2" flat. I really liked working with a flat, but it didn't hold water very well. It's a cheapie brush meant to be used for all mediums such as acrylic and oils. It came in one of those packs of four to five brushes you can get for about $5 - 10. I haven't worked with one of the larger rounds or puffs before, so I'm not sure if I'd like that more than a flat, but for now I like the idea of using a flat. Even if mine doesn't work so well.


I'm hoping to upgrade my brushes when I get my student loan money return. I won't be buying any 1" Kolinsky sables ($55! Kill me now, please), but for some of the smaller rounds the sable is only a few dollars more expensive than the synthetics. It might be reasonable to purchase those KS. I'm a bit torn between synthetic, synthetic blend, and Kolinsky sable (KS). I know watercolor brushes are supposed to be soft, but the one time I used a sable it was so soft I felt I couldn't control it. It just flopped around. I've never been a painter, but I'm more used to stiffer acrylic and oil brushes. On the other hand, I'm a bit leery about a synthetic. I've used the cheapie 1/2" flat synthetic I have right now for all of an hour and already want to replace it. Its water retention is decidedly lacking. However, this was also a very cheap brush that's meant for all mediums, so I'm not sure how much to attribute to the quality of the brush and how much to attribute to the type of fiber. But it does make be reconsider using a synthetic. I've heard their water retention is decidedly less than natural, that's why KS is considered by most watercolorists to be the "premium" fiber. It is also why it hasa premium price.

Right now I'm leaning towards a synthetic blend. It has better water retention than a purely synthetic brush yet has the body of an acrylic brush.

Sunday, January 10, 2010

Macaw

Well, the good news is I found out the Derwent black actually isn't a double. It's a much bluer shade of black than the AD black, which is great addition to my pencils. The bad news is I have misplaced the reference photo for my oceanscape. So in light of working on that, I started and finished this one. I am in a strange bird drawing kick lately. This is the third one in two days. It is also the biggest and most developed. I could probably refine it a bit, but I'm trying to not obsess over the details, so I got it to a point that I liked it and then I stopped. It took about an hour and a half.

Saturday, January 9, 2010

An oceanscape I'm working on

From Art Randomness

Small drawings

I loved drawing these birds. I'm definitely going to draw some more.

From Art Randomness

First painting in a long time

From Art Randomness

An updated palette

I received a 24 pack of Derwents for Christmas, which I love. Albrecht Durer is still my favorite, but Derwents come in a very very close second. They are deliciously smooth and vibrant. Amazingly, out of the pack of 24 I only had 3 doubles. Black and white, of which you can always use extras, and of yellow. This is my updated palette. I bought a few extra colors yesterday at ArtMedia (oh I just can't resist), so this palette needs to be updated again. However, I'm not sure when I'll get to that.

From Art Randomness